I am grateful to work with DOPE MUSIC PROMOTIONS and get their help promoting my music videos. The analytics and ongoing contact from viewers are deep music listeners around the world. Comments reflect the person is listening to the song and watching the video. Repeat viewers are building in number, with comments from specific individuals across several songs not in sequential releases per se, but releases (song or video) they respond to. I get real time data on how people respond to what I do. Have found the comments to be real, and within the industry standards for the expected percentage, or number of comments, per views as determined by YouTube analytic information. I accept that my music is not for everyone, that my talent is such that I do my best - but heck so is everyone else - and so with that in mind, I am grateful for the help of DOPE MUSIC PROMOTIONS in helping my music find people who will actually listen and comment to the music I do! Repeat viewer/listener builds organically over time. In terms of streaming data etc.,and related revenues, I don't know where you live, but for me in my area, a video or streamed music performance is not even tracked until it breaks through the 250,000 mark. Then, usually, around the 2.5 million streams mark, several dollars are issued to be split between publisher, performer, songwriter, and in some cases the artists' manager. Maybe where you live the royalty rates are for the better. To put the royalty rate and monetization question in perspective from, say YT streaming or some other streaming platform, after one billion streams for the song 'All About The Bass', the one of the two writers of the song, Kevin Kadish I believe, mentioned he got 5 thousand dollars for the one billion streams. That was his cut a year after the song was a hit.
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